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This week hand-picked selection

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STRANGEWAYS

by Neil Samworth

juin 2018,

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DEVILFISH

by Dave Ulliott

septembre 2010,

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WAYS TO HIDE IN WINTER

by Sarah St.Vincent

novembre 2018,

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THE TALENTED RIBKINS

by Ladee Hubbard

août 2017,

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JULIET THE MANIAC

by Juliet Escoria

mai 2019,

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RUBYFRUIT JUNGLE

by Rita Mae Brown

decembre 1973,

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READY TO CATCH HIM SHOULD HE FALL

by Neil Bartlett

octobre 1990,

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ONE HAND CLAPPING

by Anthony Burgess

decembre 1961,

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SECOND CLASS CITIZEN

by Buchi Emecheta

decembre 1974,

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THE GROUP

by Mary McCarthy

août 1963,

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QUARANTINE

by Katie Cicatelli-Kuc

mars 2019,

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OUR DEAD SKIN (working title)

by Natalia García Freire

octobre 2019,

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MRS. CALIBAN

by Rachel Ingalls

janvier 1982,

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EMMA’S CENTURY (working title)

by Éric Burnand and Fanny Vaucher

decembre 2019,

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THE STARS (working title)

by Jacques Goldstyn

novembre 2019,

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LEONARD AND HUNGRY PAUL

by Ronan Hession

mars 2019,

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THE ART OF FAKE GENEROSITY (working title)

by Lionel Astruc

mars 2019,

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THE GIRL ON THE SCREEN (working title)

by Lou Lubie and Manon Desveaux

janvier 2019,

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TEKLA

by Christian Unge

avril 2019,

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CATS OF THE LOUVRE

by Taiyou Matsumoto

decembre 2016,

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ANDREANI AND COUTURIER (working title)

by Éric Todenne (pseudonyme)

mars 2018,

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THE TWENTY DAYS OF TURIN

by Giorgio de Maria

janvier 1977,

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LEO STANHOPE

by Alex Reeve

mai 2018,

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BELONGING / HEIMAT

by Nora Krug

août 2018,

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THE ART OF FAKE GENEROSITY (working title)

Lionel Astruc

  • Original Title: L'ART DE LA FAUSSE GÉNÉROSITÉ
  • Publication date: March 2019
  • Publisher: ACTES SUD
  • Country: FR
  • 128 print pages
  • Factual/Investigation

Information

  • Epoch: Contemporary
  • Time Period: 21st century
  • Location setting: United States
  • Themes: PEOPLE facing life, Search for the truth, PEOPLE facing the extraordinary, SOCIETY DYSFUNCTIONS, Capitalism, Power, Looking back on one's life, Manipulation, Corruption, SOCIAL CHRONICLES, Commitment

Pitch

A book arguing that behind the veneer, Bill Gates's philanthropy is actually a well-tuned mechanism for serving the most environmentally unfriendly multinationals and the corporations most undermining global health and social justice.

Comments

Lionel Astruc is a French writer. He is the author of seventeen books on ecological transition. He has conducted numerous surveys on commodity chains, the origins of our consumer goods and pioneering initiatives to transform society.

Summary

In the past few years, the IT giant Bill Gates has become an icon of philanthropy, and is often cited in the media as a model of generosity. Behind the veneer however Bill Gates's philanthropy is actually a well-tuned mechanism for serving the most environmentally unfriendly multinationals and the corporations most undermining global health and social justice. It is also a tool for advancing his own economic interests.

By following the financial transactions underlying Bill and Melinda Gates's charity activities, this work provides proof of this self-interest, revealing the IT magnate's cunning sleight of hand. Each transaction involves its own tax avoidance schemes, conflicts of interest and illegal deals enabling him to control a series of vital processes. He actively finances research into GM foods, arms sales, fossil fuel development, large-scale distribution networks and pharmaceutical laboratories. His credo is technology - the solution for our ecological woes, coupled with a rejection of agroecology, social justice and democracy. His financial control of international organizations like the WHO in areas of development, health and agriculture ride roughshod over the democratic-decision making of governments and citizens. Any expression of concern on the part of NGOs and scientists is silenced due to their financial dependency on Bill Gates's money.

This practice of philanthro-capitalism has expanded among the super-rich. In the process, billionaires have begun superseding States and their education, agricultural and health policies. Democracy is under threat.

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